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For the most part, this information doesn’t factor into my thinking about these filmmakers, even if it is unsettling to hear Tippi Hedren brand Hitchcock as a sexual predator. Mind you, I thought the same about Mike Nichols, given the attention he lavished on Natalie Portman’s rear in his 2004 film, “Closer.” This observation was a data point that I stashed in my files, where I’ve also noted that Alfred Hitchcock preferred blondes, and Quentin Tarantino likes pretty feet. The director, Abdellatif Kechiche, I realized fairly quickly, likes a tight end. It is a lovely derrière, no question, round, compact and firm, and I became well acquainted with how it looked whether tucked into snug jeans or perched prettily in the air when Adèle, who’s 15 when the movie opens, lies splayed sleeping face down in bed, as young children often do.

Specifically, it was the way the camera captured the pretty teenager’s rear end in “Blue Is the Warmest Color” so that it was centered and foregrounded in the frame. It was her derrière that first caught my eye.

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